Travis Diehl

For her book project "Bad Reviews," artist Aleksandra Mir asked artists to submit "bad" reviews they had received. The result is a raucous inside joke.

Rantanen enigmatically links two series of works: color photographs of vernacular subjects in walnut frames and miniature models of staircases.

Eight artists and collectives draw on the principles of Earthworks but imagine less invasive approaches for more reparative purposes.

EJ Hill turns from endurance-based performances to pretty flower paintings in this solo show, with mixed results.

A group of Los Angeles–based painters is reanimating Surrealist tropes for the twenty-first century.

With few mid-level institutions available, LA-based artists and curators are carving out spaces of their own.

Out of the formalism and slight gestures of this year's triennial emerges a misty critique of the institution.

A look at some of the city's most unconventional and inventive DIY galleries and curatorial projects.

Kim Farkas's sculptures enshrine common goods signifying Chinese culture in an attempt to capture life in a diaspora.

Dürer's images persist in the art historical lexicon not only because of their delicate intensity, but because they were widely copied.