Fifty and Counting
Queers defy the rules of history to create a place for themselves, which is to say, ourselves. We invent ourselves out of a past that, in most instances, did not invite or anticipate us.
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Holland Cotter
Reviewing American Fine Arts, Co.
Colin de Land's gallery American Fine Arts, Co. had an outsize presence in the art world of the 1980s and '90s. A.i.A. published nearly thirty reviews of AFA exhibitions by writers including Holland…
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Reviewing Pat Hearn Gallery
Throughout the 1980s and '90s, Pat Hearn operated one of the most innovative galleries in New York, promoting artists such as George Condo and Tishan Hsu to Mary Heilmann and Renée Green. Highlights…
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A New Future from the Passed: Lynn Hershman Leeson Comes into Her Own After 50 Years of Prophetic Work
In 1965, while pregnant with her daughter, Lynn Hershman Leeson discovered she had cardiomyopathy, a disease that makes it difficult for the heart to pump blood to the rest of the body. A valve
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From the Archives: Art & AIDS—The Stuff Life Is Made Of
When accounts of American art in the late 1980s and 1990s are written, recurrent themes will emerge: the body, sexual identity, childhood, mortality. And all of them, directly or indirectly, link up t…
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From the Archives: Art after Stonewall Part II
In remembrance of the Stonewall Riots that took place on June 26, 1969, catalyzing the modern LGBTQ movement, Holland Cotter spoke to twelve queer artists for our June 1994 issue. "As a direct result…
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The Painter of Modern Life: Kerry James Marshall Aims to Get More Images of Black Figures into Museums
The artist will be the subject of major traveling retrospective this year
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