David Ebony

In this hand-tufted wool carpet, Alexandra Kehayoglou recreates a scene from her childhood.

Known for his promenades with sculptural, colorful wooden staffs, André Cadere worked between several traditions, from institutional critique to Minimalism, as this survey illuminated.

Veering away from the excess of his earlier paintings toward the cool demeanor of his breakout Neo-Geo works, Ashley Bickerton has created an emotionally ambiguous body of work about the sea.

Through collaged found materials and ghostly figurative drawings, Saunders captures the specter of racial violence in and beyond America.

Dorothea Rockburne's first freestanding sculptures bring her carefully calibrated forms into a new dimension, with domestic and nostalgic undertones.

He anticipated performance art, inspired Gutai, and motivated Europe's response to Abstract Expressionism—but Georges Mathieu has mostly faded from view.

A photorealistic, mural-size rendering of the insurrection at the US Capitol is less a glorification than a troubling of the scene.

Midge Wattles documented Milton Resnick's home and studio after his death; one photograph functions as a memento mori.

In her wry "Stand-Ins," Barbara Bloom homes in on details of possessions and found images to capture the lives of artists, writers, and cultural luminaries.

Through an abstracted visual language, Levan Mindiashvili revisits the imagery of his childhood to understand the formation of his identity.