From a studio in Brooklyn, the artist discussed work of the kind that figures in her retrospective on view in Venice.

From his studio, the artist discusses work that led him to the Venice Biennale.

The New York artist responds to his city's hostile architecture.

"Sandblasting is almost like a mechanized geologic process, but it also creates this ghostly or fossilized image of the waste."

"I like making the background look like it was the last thing that happened, even though it was first."

The artist discusses works in her new show at Jack Shainman Gallery and how her artistic approach reflects her journey through life.

Sheila Pepe is a maker, as she herself puts it, but the things she makes are frequently unmade. The ephemerality and shape-shifting propensities of her art may be one reason her thirty-year career is…

Melanie Smith's latest body of work centers on María Elena—a town of around six thousand inhabitants in the middle of Chile's Atacama Desert that was founded in 1926 by the Guggenheim brothers to…

I'm mainly interested in how systems and laws seem to affect certain people more than others and how this creates alternative economies

Jack Smith is known almost entirely for his playfully risqué film Flaming Creatures (1963); as noted in the pamphlet accompanying Artists Space's exhibition "Art Crust of Spiritual Oasis," the…