Its offerings are spread across multiple museums—and even a remote lighthouse.

Titled "Nigeria Imaginary," the pavilion will be organized by Aindrea Emelife, a curator at the forthcoming Edo Museum of West African Art.

Both prizes appear to be a tossup at this point.

The artist enlists the invasive vine species as an anti-colonial protest.

These artists probe the politics of plants, showing how histories of forced labor and agricultural extraction continue to go hand in hand.

Here's what we're reading this morning.

A guide to the next seven days.